[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_blurb title=\u00a0\u00bbFrancis BEIDI. Ing\u00e9nieur audio, R\u00e9gisseur technique de spectacle,\u00a0\u00bb image=\u00a0\u00bbhttp:\/\/www.agglomed.com\/wp-content\/uploads\/2026\/07\/733964055_4426847200861898_749663458998977271_n.png\u00a0\u00bb image_icon_width=\u00a0\u00bb100%\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
vous propose ici sa chronique hebdomadaire sur l\u00b4Ing\u00e9nierie du spectacle<\/p>\n
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[\/et_pb_blurb][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_post_title _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_post_title][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Anatomie d\u2019une industrie m\u00e9connue.<\/strong><\/span><\/p>\n par Francis BEIDI, Ing\u00e9nieur audio, R\u00e9gisseur technique de spectacle.<\/b><\/em><\/p>\n <\/p>\n Introduction :<\/strong><\/span><\/p>\n Ce que le public ne voit jamais.<\/b><\/p>\n Le spectacle vivant est souvent pr\u00e9sent\u00e9 comme une affaire exclusive d\u2019artistes. Pourtant, il se d\u00e9ploie derri\u00e8re chaque \u00e9v\u00e9nement une infrastructure mat\u00e9rielle d\u2019une complexit\u00e9 singuli\u00e8re. R\u00e9seaux \u00e9lectriques, cha\u00eenes logistiques, syst\u00e8mes de synchronisation num\u00e9rique, normes de s\u00e9curit\u00e9, arbitrages budg\u00e9taires et aussi flux de donn\u00e9es permettent de dire que le spectacle fonctionne d\u00e9sormais comme une industrie \u00e0 part enti\u00e8re.<\/p>\n Cette transformation est r\u00e9cente \u00e0 l\u2019\u00e9chelle historique. En quelques d\u00e9cennies, le spectacle vivant est pass\u00e9 d\u2019une organisation artisanale \u00e0 des architectures techniques capables de d\u00e9placer des centaines de tonnes de mat\u00e9riel, de connecter des milliers d\u2019\u00e9quipements en temps r\u00e9el et de produire des exp\u00e9riences calibr\u00e9es pour des publics massifs comme pour les plateformes num\u00e9riques.<\/p>\n Pourtant, cette mutation reste peu document\u00e9e hors des cercles professionnels. Le public voit la sc\u00e8ne ; il ignore g\u00e9n\u00e9ralement les infrastructures qui rendent cette sc\u00e8ne possible. Il per\u00e7oit l\u2019effet final sans voir les syst\u00e8mes de d\u00e9cision. Qu\u2019il s\u2019agisse des contraintes \u00e9conomiques, des m\u00e9tiers invisibles et les tensions op\u00e9rationnelles qui structurent l\u2019ensemble d\u2019une production de spectacle, le syst\u00e8me industriel que repr\u00e9sente le spectacle m\u00e9rite amplement d\u2019\u00eatre explor\u00e9.<\/p>\n Je me propose \u00e0 travers ces lignes de pr\u00e9senter le spectacle autrement, du haut de mes 25 ann\u00e9es de carri\u00e8re internationale. Au-del\u00e0 de l’objet culturel qu\u2019il est \u00e0 la base, il est un syst\u00e8me technique, humain et \u00e9conomique complexe, une industrie avec ses ing\u00e9nieurs.\u00a0<\/span><\/p>\n L\u2019enjeu ici n\u2019est pas de \u201cd\u00e9sacraliser\u201d le spectacle, mais de comprendre comment l\u2019ing\u00e9nierie fa\u00e7onne d\u00e9sormais l\u2019exp\u00e9rience collective contemporaine.<\/p>\n L\u2019industrie du spectacle, il faut le pr\u00e9ciser, est devenue un laboratoire avanc\u00e9 de ph\u00e9nom\u00e8nes qui d\u00e9passent largement le divertissement : automatisation, \u00e9conomie de l\u2019attention, standardisation mondiale, d\u00e9pendance \u00e9nerg\u00e9tique, gestion algorithmique, hybridation du r\u00e9el et du num\u00e9rique. Observer ses coulisses revient \u00e0 observer, \u00e0 une \u00e9chelle condens\u00e9e, certaines transformations de nos soci\u00e9t\u00e9s.<\/p>\n \u00c0 suivre…<\/p>\n \n [\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.agglomed.com\/?p=3400&et_fb=1&PageSpeed=off\u00a0\u00bb button_text=\u00a0\u00bbChapitre 1, condens\u00e9.\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.agglomed.com\/?p=3419″ button_text=\u00a0\u00bbChapitre 2, condens\u00e9.\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(255,255,255,0.92)\u00a0\u00bb custom_padding=\u00a0\u00bb14px||11px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_5,3_5,1_5″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb-1px|auto||auto||\u00a0\u00bb custom_padding=\u00a0\u00bb3px||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_menu active_link_color=\u00a0\u00bb#E09900″ dropdown_menu_active_link_color=\u00a0\u00bb#E09900″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb menu_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb menu_text_color=\u00a0\u00bb#160400″ menu_font_size=\u00a0\u00bb16px\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_menu][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/www.agglomed.com\/?page_id=2110″ button_text=\u00a0\u00bbParlons de votre projet\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb12px\u00a0\u00bb button_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb button_bg_color=\u00a0\u00bb#E09900″ button_border_color=\u00a0\u00bb#E09900″ button_icon=\u00a0\u00bb1||divi||400″ button_icon_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" vous propose ici sa chronique hebdomadaire sur l\u00b4Ing\u00e9nierie du spectacle Anatomie d\u2019une industrie m\u00e9connue. par Francis BEIDI, Ing\u00e9nieur audio, R\u00e9gisseur technique de spectacle. Introduction : Ce que le public ne voit jamais. Le spectacle vivant est souvent pr\u00e9sent\u00e9 comme une affaire exclusive d\u2019artistes. Pourtant, il se d\u00e9ploie derri\u00e8re chaque \u00e9v\u00e9nement une infrastructure mat\u00e9rielle d\u2019une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3383","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/pages\/3383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.agglomed.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3383"}],"version-history":[{"count":5,"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/pages\/3383\/revisions"}],"predecessor-version":[{"id":3424,"href":"https:\/\/www.agglomed.com\/index.php?rest_route=\/wp\/v2\/pages\/3383\/revisions\/3424"}],"wp:attachment":[{"href":"https:\/\/www.agglomed.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}